Music


DISCOGRAPHY

Five records, written between 2017 and the present. The band recorded each in the year of its title, though the public release schedule has followed a different timeline; Shattered Goddess have never been quick to put their work into the world, and the catalogue has only recently been made available through the streaming services and the band’s own storefront.

All physical copies ship from the band directly. Streaming is available wherever you keep your music.


Seasons (2017)

A woman in a flowing black dress stands gracefully amidst autumn scenery, surrounded by falling leaves and colorful trees, with a serene landscape in the background. The text 'Shattered Goddess' and 'seasons' is displayed in an artistic font.

The debut. Four seasons rendered as four movements, with the cycle of the Polish year — Marzanna drowned in spring, the long sun of summer, the failing light of autumn, the deep cold — as the spine of the record. The arrangements are leaner than what the band would build later, and some listeners find this their favorite for that reason.


Echoes (2021)

A woman in a black Victorian-style dress stands in a cemetery surrounded by tombstones, with a dark and moody atmosphere.

The sophomore record, and a darker one. Where Seasons traced the cycle of the natural year, Echoes traces the cycle of grief — the long acoustic shadow that a loss casts forward through a life. The band spent four years on it; the patience shows in the writing.


Fairytales (2024)

A whimsical image featuring a white rabbit with long ears standing on a clock, surrounded by red roses and chains, with the word 'FAIRYTALES' in bold typography above it.

An adult reading of the old stories — the ones the Grimms cleaned up before they were published, and the ones from the Slavic tradition that were never cleaned up at all. Baba Jaga and the bone fence. The drowned bride. The wolf who is not metaphor. Fairytales is the band at their most narrative, and their most willing to let the songs run long.


Dark Side of Goth (2025)

Text design featuring 'Dark Side of Goth' on a purple background with flowing fabric

The vampire record. Dark Side of Goth gathers the band’s long-standing interest in the Eastern European vampire tradition — the upiór, the strzyga, the older creatures that predate Stoker by centuries — and makes a full album of it. The keys lean baroque; the guitars lean toward something almost theatrical. Kasia sings as if she is performing a litany to something that should not be invoked.


The Fifth Element (2026)

Silhouette of a figure resembling a goddess with tree-like branches on their head, standing on a circular stone platform, with a forest backdrop and a hazy orange sky, featuring the text 'THE FIFTH ELEMENT SHATTERED GODDESS'.

The fifth record, and the closing of the cycle that began with Seasons. The Fifth Element is the band’s most ambitious work to date — a long meditation on the classical elements and what the tradition once held them to mean, with a fifth running underneath the four that the alchemists called quintessence and the Hermetic writers called spirit. The album rewards patient listening; it was not built for the playlist.


The Everything Pack

All five albums on physical CD, shipped together. The complete catalogue.